ataxiwardance

lulzzzzzzzzzzzzzzzzzzzzzzzzzzzz

j-wells:

Future Music History Textbook Entry: This was a popular rhythmic figure used in the early 21st century dance pieces called dubstep. The figure usually appeared before the development section and was often combined with a ritardando to help mark the end of the exposition of the piece.

Hahahahahahahahaha.

… ABOUT MY EX-DEV-REC!

BITCHES DON’T KNOW…

j-wells:

Swing with me.

Man Just Going To Grab Guitar And Old Four-Track, Go Out To Cabin In Woods, Make Shittiest Album Anyone’s Ever Heard

“In Chicago, I’m constantly surrounded by talented musicians,” Ruskin said. “The last thing I need right now is a bunch of competent songwriters putting in their two cents and truthfully telling me that what I’m doing is just fucking awful. How can I reach my self- indulgent musical nadir if I’m getting a bunch of sober, reasonable advice from people who know what they’re talking about?”

As his inspiration for sequestering himself in the wilderness, Ruskin cited several musical luminaries—such as Justin Vernon of the critically acclaimed indie rock band Bon Iver—who have at times gone to similar lengths in order to work on their music without distraction.

Ruskin, however, was quick to dispel any notion that this implied he would actually be producing something of lasting or even passing creative value.

“It’ll be just like Bruce Springsteen locking himself in his bedroom and recording Nebraska,” said Ruskin, referring to the New Jersey–born rock legend’s sparse, deeply haunting album of 1982. “Except instead of creating a timeless masterpiece that perfectly encapsulates the struggles and dashed dreams of blue-collar Americans, I’ll be haphazardly slapping together a piece of total shit that proves I don’t know the first thing about good music, much less about truth and the human condition.”

too close to home.